Used Guitars

ICONIC FENDER SOUND AND STYLE Played on countless hit recordings for decades now, the mid-'60s Deluxe Reverb is a timeless Fender classic and one of the most indispensable workhorse guitar amps ever made. Moderately powered and producing a full, snappy and crystalline tone revered in studios from Muscle Shoals to Abbey Road and on stages worldwide, it's a must-have tone machine. Today, the '65 Deluxe Reverb is still one of the coolest amps around, with the fantastic sound and vintage mid-'60s style still prized by rock, blues and country players everywhere. A classic then and a classic now. FEATURES 22 watts 12” Jensen® C-12K speaker Two channels (normal, vibrato) Four inputs (two normal, two vibrato) Tube-driven Fender reverb and tremolo (“vibrato”) Includes two-button footswitch and cover TUBE CIRCUITRY Simply put, there’s really nothing quite like the pure, powerful sound of a Fender tube amplifier. For decades, the tonal richness and touch-sensitive dynamics of real tubes have given Fender amps a defining and unmistakable voice, as heard on most professional recordings and performances of the past 60 years—the music you’ve known your whole life. SPRING REVERB Among their many fine sonic attributes, Fender guitar amps like this one are prized in particular for their luscious spring reverb. For that wet, shimmering ambient sound ranging from subtle to cavernous, Fender lets you dial it in exactly to taste. TREMOLO Rich, pulsating tremolo in any shade from subtle to stupendous is simply part of Fender’s guitar-amp DNA. Always has been and always will be. CLASSIC BLACKFACE TONE Heard on countless recordings, this is the fantastic sparkling-clean sound, warm breakup when pushed, and cavernous reverb of Fender’s famous "blackface" amps of the early 1960s and subsequent decades, prized by guitarists everywhere. ASSEMBLED IN THE U.S.A. Just like the great Fender guitar amps of the 1950s and ’60s that founded our amp legacy and defined the essence of pure tone and power, this amplifier is assembled in the United States. JENSEN® SPEAKER Jensen® and Fender go way back—to the very beginning, in fact. Jensen® speakers are the traditional Fender speakers, with sweet articulation for clean sounds and cool vintage-style breakup when pushed. Check out more at Fender.com

Body Style S Back & Sides Indian Rosewood Top Sitka Spruce Cutaway NO Soundbox Bevel YES Pickup LR Baggs Element VTC Case Gig Bag Strings Lowden 12-53 Fretboard Ebony Bridge Ebony Neck Mahogany Scale Length 24-4/5" Head Facings Indian Rosewood

with original hard shell case

It is not often that we receive a beautiful pre-loved Bourgeois OM, let alone one made out of insanely gorgeous, straight grained, Madagascar Rosewood and tremendously tight grained Adirondack. Being from 2003 this guitar has had plenty of time to open up and it has! Some words that come to mind regarding tone: crisp, clear, articulate, mature, balanced, rich, meaty and warm. Dripping in all of the tonal goodness one expects from a Dana Bourgeois guitar. Elegantly appointed in the pre-war style, this instrument features Ivoroid binding, heel cap and bottom wedge. A herring bone purfling and vintage zig-zag back strip, along with Waverly butterbean tuners. Slotted square and diamond fretboard inlay with Bourgeois logo in Abalone shell. Classic faux tortoise pickguard. A bone nut, saddle and bridge pins make this guitar sing! And to top it all off the Ebony fingerboard and bridge are black as night. Our clients often comment on how comfortable the neck of Bourgeois guitars are. Being a modern slim neck, it features the slightest V to fit into the crook of the hand. The nut width on this guitar is a standard 1 3/4" The action is set medium low so it is super easy to play. Despite being nearly twenty years old, this instrument is in pristine condition. We would describe it as excellent to nearly mint condition. Upon inspection I saw no visible dings or dents, no fret wear and only the lightest pinky drag wear on the pickguard. Not even dents on the top of the headstock! This thing is in wonderful condition. Whoever ends up with this one is going to be SUPER lucky. This guitar comes with the original Bourgeois TKL case (flat top) with Dana's favorite, mint green interior.

This beautiful Jumbo OM Deluxe Cutaway (JOMC) harkens from Dana Bourgeois' early days and has a big, warm, nicely broken in tone. The guitar plays great plays with nice low action. It definitely shows its years of play for sure but it held up great and is ready to play with no issues. It has a couple of top cracks that were properly repaired for us by S.B. MacDonald of Chester, Vt. Its features include: Sitka Top, Indian Rosewood Back and Sides, Abalone top border, rare Pyramid Belly bridge, “Floral” fretboard inlay and a 1 3/4" nut. A nice photo of David Crosby enjoying the guitar is included. A brand new TKL 8815/LTD hard case is also included.

This is one sweet Les Paul with nice low action and great, classic tone. It features a ‘60’s slim neck profile, Cayenne finish, nickel hardware and Burstbucker Pro humbucking pick-ups. The gears are changed to Grovers. It is in excellent condition. Our close-up photo of the back of the neck show two light indentation from years of resting on the neck support in the guitar's case. With hard shell case.

The Marshall Class 5 amp takes the classic Marshall tube tone and distills it down into a single-channel, 5-watt combo. No frills, no unnecessary parts. Think of it as the Bluesbreaker combo's little brother. This was the last and best year for this model! It boasts 5 Watts and a Celestion G10F-15 10" Speaker. Made In England

The ST100 is a Studio series solid body electric guitar model introduced by Ibanez for 1978 and was discontinued after 1979. It was made in Japan by FujiGen. For the collector, this guitar is in near-mint condition with no dings, dents or wear. There is light signs of age on the metal parts. It comes with its original hard shell case in excellent condition. The ST100 features a double-cutaway body composed of a maple center block and mahogany outer blocks with thin strips of walnut between them. This body is mated to a set-in laminated maple neck with a 24-fret rosewood fingerboard with pearloid dot position markers. Components include a pair of Ibanez V2 humbucking pickups with exposed cream bobbins mounted in cream pickup rings with individual volume and tone controls, a Tune-o-matic style Gibraltar fixed bridge with Quik Change tailpiece and VelveTune II machine heads. The output is mounted on the face of the guitar.

This gig-ready, beautiful Takamine Thinline TSP138CN in excellent condition and was built in Japan. Its thinline body in combination with the high quality Takamine CT-3N pickup system make the instrument a sensational stage guitar! It features an Arched Hawaiian Koa top, Hawaiian Koa back and sides, a Mahogany Neck and Ebony Fingerboard . The body depth is 2 3/8" (60mm). With deluxe gig-bag.

Cole Clark builds the best guitars in Australia. This gig-ready Grand Auditorium size model plays great and is in excellent condition. Cole Clark Guitars are designed and built on the land of the Wurundjeri people of the Kulin Nation and acknowledges them as the Traditional Owners and pay respects to their Elders, past, present and emerging. Here are some specs: All solid timber cutaway grand auditorium with internally carved top and back Made entirely from sustainably sourced timbers Cole Clark PG3 pickup system Finish: Nitrocellulose (natural satin) Neck: Queensland Maple Top: Australian grown, AA grade American Redwood Back/Sides: AA grade Australian Blackwood Inlaid timber binding and rosette. Bridge/Fretboard: She Oak Inlays: Snowflake Machine Heads: Grover Nut/Saddle: Graph Tech Tusq Nut Width: 44mm/1.73″ Radius: 12″ Scale length: 25.5″ Cole Clark hardcase – Tweed

This 712ce is in excellent condition, sound great and offers a fresh take on the classic rosewood/spruce sound with striking aesthetics and signature Taylor playing comfort. It features solid Indian rosewood back and sides paired with Lutz spruce resulting in a richly textured sound lush with blooming overtones. It features V-Class bracing. The 712ce looks as beautiful as it sounds. It is gig-ready with Taylor's great sounding ES System. It comes with its original and shell case.

This I-30 Jet Black w/ Aged Finish is in excellent condition and plays and sounds like a dream. It features fully hollow construction with parallel trestle braces and a maple laminate top and body that offers incredible tone. It features a 1 11/16" width nut and a 24 7/8" scale length. The high gloss nitro Jet Black finish looks great and the Lollar P90 dog-ear pickups sound great! This guitar came from a single owner and never gigged. There is the lightest sign of pinkie-planting on the pick guard, light fret wear at the A minor pentatonic position and a hardly noticeable teeny-tiny nick in the back of the neck at the 5th fret. It comes with an Ameritage hard shell case.

Featuring non-locking Keystone tuners, a mahogany neck and body, rosewood fretboard with 22 medium jumbo frets and large block acrylic inlays, a Graph Tech® nut, ABR-1 Tune-O-Matic™ bridge and Kirk Douglas signature "Captain" Lyre Tail Vibrola tailpiece, black Top Hat knobs with metal inserts, and three BurstBucker™ humbucking pickups. In excellent condition with no issues. Original hard shell case is included. The pickups and controls on this SG are incredibly versatile. On a basic level, they operate somewhat similarly to a two-pickup SG, but with significant added capabilities. The three-way toggle switch selects the bridge pickup, neck pickup, or both. Each of these pickups has its own volume control, and each is equipped with a push/pull pot that switches the pickup from humbucker to single coil when the switch is pulled out. A single master tone knob, located in the usual lead tone control position, is provided, and where you’d normally expect to find the second tone control, an additional volume control (again, with a push/pull switch for coil splitting) is installed. This controls the middle pickup, and can be used to blend its signal in with the other (one or two) pickups, regardless of how the three-way pickup selector switch is positioned. This means you can run the neck and/or bridge pickups alone or together, the neck and middle, bridge and middle, or all three pickups simultaneously, and at any relative volume amounts desired. And even better - once you have dialed up the exact balance you want, you can adjust the overall output level of the entire guitar with the pickguard-mounted master volume control. Kirk Douglas Signature SG Specifications Body Material: Mahogany Finish: Gloss Nitrocellulose Lacquer Neck Material: Mahogany Profile: SlimTaper™ Scale Length: 24.75" / 628.65mm Fingerboard Material: Rosewood with White binding Fingerboard Radius: 12" Number Of Frets: 22 Frets: Medium Jumbo Nut Material: Graph Tech® Nut Width: 1.7” / 43.053mm Electronics: Neck Pickup: BurstBucker™ 1 Middle Pickup: BurstBucker™ 2 Bridge Pickup: BurstBucker™ 3 Controls: Master Volume, Master Tone, plus individual Volume controls with push/pull coil splitting for each of the three pickups Pickup Selector 3-way toggle More at legacy.gibson.com

This 2021 Gibson Les Paul Classic plays and sounds great and comes with its case and all case candy and is in brand-new, un-played, un-owned, mint condition with its original box. The Gibson Les Paul™ Classic combines the early 60's style Les Paul model with some functional and time-tested modifications. As expected, the LP Classic is crafted with a mahogany back and maple top coupled with a slim taper mahogany neck and bound, rosewood fingerboard. BurstBucker™ 61R & 61T zebra, open-coil pickups provide classic Gibson tones from the era with a bit of extra punch thanks to the open coils. The control assembly features 4 push-pull pots which provide choices of coil tapping, phase switching, and pure bypassing for functional and versatile sonic variety.