JHS Pedals

The JHS Pedals Flight Delay was made with one goal in mind: to be everything you need in a delay and nothing you don’t. In a world full of complex effects pedals, we worked hard to bring you the opposite - a beautifully simple stompbox that combines the most essential delay types with the features that matter. With three modes (Analog, Reverse, and Digital) inspired by my all-time favorite delays - EHX Memory Man, Boss DD-5, and Line 6 DL4 “Reverse Mode” - the Flight Delay is familiar, inspiring, and versatile enough for players in any genre. If you are tired of delay pedals that require frustrating menu diving to find the sound you want, endless scrolling on option screens, and complicated user interfaces, look no further!

LENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22 The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point. In the early 1980s, Brian Eno invented an effect called “Shimmer,” which was popularized in U2’s The Unforgettable Fire (1984). The effect mixed ambient reverb and octave effects in the reverb’s decay. The 3 Series Octave Reverb is our take on this classic effect that has been used for decades to allow the guitar to create pads and textures that fill out ambient space. Toggle up layers in upper octave sounds, while toggle down layers in lower octave sounds. THE JHS PEDALS 3 SERIES OCTAVE REVERB RUNS ON 9V DC NEGATIVE CENTER POWER AND CONSUMES 65 MA.

LENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22 The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point. In 1960, Leo Fender introduced a circuit in his Bandmaster and Vibrasonic amps called the “Harmonic Tremolo” (which proved to be a misnomer, since it was a volume effect, not a pitch effect). Essentially, the amp’s signal was split into high frequency and low frequency components, with the output switching back and forth between the two, resulting in a dreamy effect similar to the Uni-Vibe. The 3 Series Harmonic Trem allows you to utilize Leo Fender’s revolutionary effect in a package much easier to tote than a vintage amplifier. Toggle up is a great sounding amp trem, while toggle down is our take on harmonic trem effect. THE JHS PEDALS 3 SERIES HARMONIC TREM RUNS ON 9V DC NEGATIVE CENTER POWER AND CONSUMES 65 MA.

In early 1984 BOSS released two strange new devices under the name “The Pocket Series”. One of those devices was the FA-1 FET Preamp and it quickly found its rightful place among the legends of tone when The Edge of U2 used it on the recording of “Unforgettable Fire” as well as placing it in his following touring rigs. The Clover Preamp/Boost is our faithful interpretation of the FA-1 but with several additional features that we believe make this amazing circuit even better. You won’t want to be without your lucky tone-shaper at any gig! CONTROLS The Clover has four standard controls and one rotary switch on the top. The Volume control allows you to set your volume at unity or as a boost to push your amp or dirt pedals. There are three EQ controls to give you tons of control to cut or boost Bass, Mids, and Treble. The rotary switch has three settings: Full EQ, No Mid, and No EQ. When set to Full EQ all three EQ controls are in operation, giving you full control over the full range of EQ available. The No Mid setting is an exact replica of the original FA-1, removing the ability to control the Mids and leaving them in a fixed setting. When in the No EQ mode all the EQ settings are removed and the Clover becomes a straight FET boost, perfect for pushing an amp. On the right side of the pedal there is a Low Cut dip switch. This removes some of the lows if you feel your tone is too muddy and can help you cut through a mix. XLR OUTPUT CAPABILITIES In addition to the standard 1/4” input and output, the Clover has an XLR output for using as an acoustic or bass preamp. These can be used individually or simultaneously if you want to go to a sound board or interface as well as an amplifier. The XLR output was designed with acoustic and bass players in mind as the Clover is a wonderful preamp that gives you a great amount of control over your sound. There is also a ground lift if you experience some hum when using the XLR output. END ALL BE ALL The Clover is an end all preamplifier / boost circuit for any electric, acoustic, or bass player. The EQ is simple, powerful and doesn’t allow a bad sound. No matter what style of music you play or amp that you use, the Clover will prove to be an indispensable tool. While the Clover excels at being a preamp / boost for dirt pedals, the magic is in pushing your tube amplifier into natural overdrive. The EQ lets you hit the exact spot that your amp is naturally prone to give in at. Push your small wattage amp into natural rich overdrive and distortion or find sounds in your larger more powerful wattage amp that you have never heard before. Strat and Tele players can use the Clover to create extra punch, depth and dynamics that single coil pickups can’t normally achieve, while Les Paul and humbucker players can find clarity, bite and definition galore! From country, rock, metal and even acoustic… The Clover covers every base. Find your unforgettable tone with the luck of the Clover! IN-DEPTH SPECS: The XLR output is identical to the 1/4” output. Has up to +24dB of gain (X16.4) (EQ Flat). Treble +/- 15dB shelving filter at 10kHz Middle +/- 15dB peaking filter at 1.3kHz Bass +/- 15dB shelving filter at 270Hz (3dB freq) Lo cut engaged -3dB point at 212Hz Input impedance >1M ohm Output impedance = 520ohms Current draw at idle = 45.5mA THIS PEDAL REQUIRES STANDARD 9V DC NEGATIVE POWER, CONSUMES 45.5MA, AND MEASURES 2.6"X4.8"X1.6"

LENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22 The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point. The 3-Series Screamer is the beloved JHS Tube Screamer “Strong Mod”, but in a brand-new $99 pedal. This pedal represents years of Josh playing around with the legendary Tube Screamer circuit and wanting to offer those changes in an affordable package. You will find more clean headroom, better usability as a boost, more versatile drive and tone controls as well as a more pleasing frequency response. This may be the most well-balanced Tube Screamer on earth, but that’s for you to decide. The 3 Series Screamer runs on 9V DC negative center power and consumes 12mA.

5.68 X 3.62 X 2.0 INCHES, 0.85 LBS The "Legends Of Fuzz'' series is a collection of the world's most historic, rare, and sought after circuits. At JHS, fuzz pedals have been in our lineup for over a decade. We have designed original circuits, replicated classics, and we have seen the trend of fuzz popularity come and go. The "Legends Of Fuzz'' series is our tribute to the most important fuzz circuits ever made. It is our way of ensuring that the stories of these effects live on in the music that you are going to make. From the earliest days of fuzz in the mid-60's London scene to the 1990's ex-Soviet military factories that brought the Big Muff back to life, fuzz tells a story, and that story includes guitarists just like you. There is nothing more primitive than plugging your guitar into a vintage fuzz circuit; it is raw, untamed, and so pure that it pushes the boundaries of what your instrument can accomplish. Plug into a fuzz and plug into sixty years of beautifully broken sound. In the late 1960’s, Japan was bursting at the seams with amazing guitar pedal companies and innovations. One of the most sought after effects from this time and place is the Univox Super-Fuzz. This effect is an octave fuzz that turns any note or chord into a thick and searing texture. Playing a high octave up alongside the distorted note, this is an effect that demands your attention. First produced inside of a large amp head sized multi-effect unit called the Honey* Psychedelic Machine (1967) and then re-released a few months later as a standalone pedal called the Honey* Baby Crying Effect. Honey* soon became Shin-Ei* and by 1968 Shin-Ei* became the guitar pedal powerhouse of Japan, making Shin-Ei* branded effects as well as producing those same circuits for dozens of brands like Shaftesbury, Kent, Crown, Jax, and America's Univox. This circuit found its way into the lineup of brands all over the world. Thanks to product placement by Pete Townsend of The Who, the Univox Unicord Super-Fuzz version found fame above all the rest. First produced in a simple, unassuming grey metal enclosure (1968), it transitioned into a more eye catching form factor utilizing a large rectangle foot pad that said SUPER-FUZZ in large letters across the top (1970). Red and blue, black and grey, white and black, you could pick your color. The Supreme is an exact replica of my favorite Super-Fuzz in my collection, my extremely rare black and grey model. Although every early version of this pedal sounds strikingly similar, this 1972 unit has a certain magic that makes it stand out above the others. Imagine an Octavia Fuzz that woke up on the wrong side of the bed, and that’s what you're plugging into here: a loud, screaming, full and vibrant octave fuzz that is always at 11. The controls are Volume and Expand. Volume makes the effect louder as you turn it and Expand increases the amount of fuzz. On the side you will see two buttons. The “Tone” button engages a mid cut that flattens out the Supreme’s attack and makes it more submissive. Think of this as a preset scooped mid EQ control. The “Mode” button activates our very own “JHS Mode” setting. You will hear a much more pronounced octave up effect, thicker mid-range, and more available volume/boost. If you want to replicate the classic octave fuzz sounds of Pete Townsend, Black Keys, White Stripes, Beastie Boys, and Mudhoney, this is it. USES 9V DC NEGATIVE CENTER. 4MA CONSUMPTION. DO NOT USE MORE THAN 9V DC, OR YOUR WARRANTY WILL BE VOIDED. THE SUPREME DOES ALLOW FOR BATTERY OPERATION VIA A SINGLE 9V BATTERY. JUST LOOSEN THE TWO REAR SCREWS FROM THE ENCLOSURE AND THE BACKPLATE WILL SWING OPEN. ON THE INSIDE YOU WILL SEE A BATTERY CLIP TO INSTALL THE BATTERY INTO.

LENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22 The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point. The JHS Pedals 3 Series Fuzz is a versatile fuzz box that cleans up well with your guitar's volume knob. The Fuzz is the perfect balance of vintage and modern with soaring sustain and clear articulation. The controls allow you to create a wide variety of sounds via the Bias knob, which gives the Fuzz a more gated sound as you turn it up. Unlike many fuzz pedals, the fuzz knob is usable across 100% of the sweep for many different flavors not typically found in a fuzz, like distortion, and even pushed amp Esq overdrive tones. The Fat toggle engages a bass boost for an overall fatter, more powerful sound. The JHS Pedals 3 Series Fuzz runs on 9V DC Negative Center power and consumes 9mA.

LENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22 The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point. The JHS Pedals 3 Series Overdrive offers a wide range of overdrive sounds within straightforward design aesthetics. You can achieve anything from boost, transparent low gain, to huge amp-like medium overdrive sounds. The simple knob functions give you control over the Volume, Body (or EQ), and Drive. The Gain toggle gives you a choice between more saturated and compressed or more open and crunchy dynamics. This switch plays a big part in how the pedal responds to your playing and touch as a player. The JHS Pedals 3 Series Overdrive runs on 9V DC Negative Center power and consumes 12mA.

LENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22 The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point. The JHS Pedals 3 Series Distortion is a massively versatile distortion pedal with the ability to achieve medium gain crunch, heavy overdrive, distortion, and even fuzz tones. The controls on the Distortion are Volume, Filter (or Tone), and Distort knobs that give you a wide range of usable sounds in any position. The Gain toggle gives you a choice between more saturated and compressed or a more open and crunchy distortion. This switch plays a big part in how the pedal responds to your playing and touch dynamics. The JHS Pedals 3 Series Distortion runs on 9V DC Negative Center power and consumes 9mA.

LENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22 The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point. The JHS Pedals 3 Series Compressor is a simple and powerful compressor that will give you everything from subtle tone smoothing to a super squashed sound. The Attack and Sustain knobs allow you to dial in the compression's overall feel and response to your playing, while the Volume knob enables you to set the overall volume at unity or boosted. The Bright toggle engages a brighter EQ so that your tone doesn't get lost in certain situations. The JHS Pedals 3 Series Compressor runs on 9V DC Negative Center power and consumes 8mA.

LENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22 The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point. The 3-Series Flanger is inspired by the classic (and absurdly expensive) analog flangers of the past like the Electro-Harmonix Electric Mistress, the Tycobrahe Pedalflanger and the MXR M117 Flanger. The best part? Our 3-Series Flanger is $99. The JHS Pedals 3 Series Flanger runs on 9V DC Negative Center power and consumes 70mA.

LENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22 The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point. The 3-Series Phaser is a versatile and easy to use six-stage phaser pedal inspired by the classic phaser circuits of the 1970s. It has all the standard phase tones you would expect, but because of its unique Blend control and Feedback toggle, you can achieve an even wider range of modern and experimental tones. The JHS Pedals 3 Series Phaser runs on 9V DC Negative Center power and consumes 70mA.

LENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22 The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point. The 3-Series Hall Reverb is inspired by the sounds of large reverberated spaces, cathedrals and halls where the decay of natural reverb seemingly goes on forever. This pedal is perfect for players who are searching for massive, infinite and even otherworldly reverb. The JHS Pedals 3 Series Hall Reverb runs on 9V DC Negative Center power and consumes 70mA.

The JHS Pedals Kodiak tremolo is the newest addition to our tap-tempo series featuring all the bells-and-whistles you need to create the biggest tremolo growl you’ve ever heard! Based around classic Vox and Black Face tremolo sounds, the Kodiak brings vintage tremolo into the modern era with four different wave patterns, Mix, onboard tap-tempo, and sub-divisions to give you total control as well as plenty of inspiration to bring your sound out of hibernation. Let’s take a look at all the features this brown beast bears... CONTROLS & FEATURES The Kodiak has five simple controls: Volume, Speed, Mix, Ratio, and Wave. The Volume control enables you to set the overall volume however you like it, either dialed back, at unity, or boosted. A great feature of the Kodiak is that you can turn the Mix knob all the way down and use the Volume to boost your amp or other pedals, acting as a preamp or slightly driven boost. The Speed knob is a manual control for the speed of the tremolo, which you can also set with the on-board tap-tempo switch. The Mix knob controls how deep the tremolo is perceived, from fully clean to fully wet. The Ratio control gives you the ability to dial in faster speeds that are perfectly sync'd with the BPM of your tap. You can choose from quarter notes, eighth notes, "triplets," or sixteenth notes. The Wave control gives you four different wave variations to choose from: Sine, Rhythmic, Square, and Ramp. The Sine wave is a classic amp-like tremolo sound, the Rhythmic wave gives you an interesting rhythmic pattern that can be used in many different time-signatures for different effect, the Square wave gives you a more choppy trem sound, and the Ramp wave gives you a warbly type of sound. With all these options, sit down, grab a jar of honey, and spend lots of time with your new bear-friend to really get to know what he has to offer.

Fuzz in the style of Pink Floyd's David Gilmore.Warm and Grunge-ish.

Classic Fuzz in the style of Hendrix

With a name like the JHS Pedals Mute Switch, it doesn’t take a rocket surgeon to guess what this little guy does. But in case you’re still curious, it’s a switch that mutes your signal. This latching design lets you immediately cut your signal for silent tuning, breaks between sets, and more. We’d love to go on about this valuable tool...but we’ve pretty much covered it. IT TURNS YOUR SIGNAL ON AND OFF This Mute Switch mutes your sound. It’s that simple. And yet we think that with its color-changing LED indicator, high-grade components, and convenient compact size, the JHS Pedals Mute Switch does it better than any other. - Small size is ideal for saving pedalboard space - Easy-to-use latching design - Enjoy absolute silence from everything before it in the chain - Works great on pedalboards and in effects loops - LED indicator changes from blue to red to show if the mute is engaged NOTE that this is NOT a momentary switch. When clicked, the signal stays in the position chosen.

Though it’s a fairly nondescript-looking piece of gear, our Little Black Buffer may be the most powerful tone-shaping tool that you put on your pedalboard. By adding it to your signal path, you’ll restore all the high-end detail, output level, and tonal character that involved pedal chains and long cable runs steal away. And because the Little Black Buffer is an on-all-the-time sort of thing, you can save precious real estate by mounting it on the underside of your pedalboard. Give the Little Black Buffer a try. You’ll wonder how you went so long without one. KEEPS YOUR TONE CLEAR, POWERFUL, AND PRISTINE If you’re as pedal happy as we are at JHS, you’re going to want a quality buffer in your signal chain. The Little Black Buffer is like giving your guitar’s tone a shot of adrenaline, ensuring it hits your amp with the same strength and character as it left your fingers. - Converts your guitar’s hi-Z signal to lo-Z for driving long cables and pedal chains - Retains the original tone of your guitar without tone loss from other gear in your signal chain CONVENIENT LOW-PROFILE DESIGN An active buffer, such as the Little Black Buffer, is content to be a workhorse piece of gear that quietly does its job in the background. That’s why we designed this little guy to be compact, sturdy, and simple to integrate into your rig. - Small size is ideal for saving pedalboard space - Can easily be mounted underneath your board - Built rugged - Black powder coating keeps the buffer hidden in the background Plug your guitar straight into the input then out into your pedal chain. No need for a switch.

The JHS Pedals Prestige is a booster/buffer/enhancer that will give you that “something”, the magic that you’ve been looking for. In a simple package, the Prestige can be used as an always-on preamp or buffer, or you can crank it up to send your amp into a natural overdrive that will dazzle audiences far and wide. The Prestige features one knob for volume. In the first 25%, you have a natural buffer/enhancer that is great for long cable runs or just to add a touch of brightness to your signal. At 25% to 75% the Prestige becomes a volume boost to give you a nice push for solos or to put in front of an overdrive to create more saturation. Above 75% and you’ll be sending your amp into a meaty natural breakup by pushing the tubes on your amp. This can be used as a first stage overdrive or a second stage to maintain your other overdrives’ tone while giving more of everything you love. - One knob that has plenty of tricks up its sleeve - Buffer/Enhancer for long cable runs or an always-on preamp - Booster for solos, saturating another overdrive or overdriving your amp

The Morning Glory is undoubtedly our most well-known overdrive pedal, winning more awards and receiving more accolades than any of our other designs. We worked hard to make it one of the most transparent overdrives out there. When you want to add some mid- to low-level grit to your crystal-clean tone, use the Morning Glory. When you want to boost a crunchy tone into thicker sustain, use the Morning Glory. When you need to add tube-like touch response to a less-than-ideal amp, use the Morning Glory. When you need to switch between two gain levels on the fly...Yeah, you get the idea. TRULY TRANSPARENT TONE The best way to explain the Morning Glory is that it delivers all the tonal and responsive nuance that your amp is missing, and nothing that your tone already has. It’s difficult describing a pedal that can be set to have little effect on your tone, so just plug into our Morning Glory overdrive for yourself, and then you’ll understand. - Gain control sweeps from completely clean to rock‘n’roll - Tame high end on brighter rigs with the side-mounted bright-cut switch - Increased headroom and output for use as a full-frequency boost ON-THE-FLY VERSATILITY An update for the Morning Glory V4 is moving the original's front-mounted bright-cut switch to the side of the pedal and replacing it with a powerful boost circuit. And by pairing your Morning Glory V4 with the JHS Red Remote (sold separately), you’re able to access the boost mid-song. It’s like having two Morning Glorys in one pedalboard-friendly package. - Switch to a more powerful sound with enhanced low end and grit - Plug in your JHS Red Remote to switch between the two voices with a tap of your toe - Handy LED changes from blue to red, indicating the status of the boost circuit VERSION HISTORY: V1 = Bigger white enclosure with black knobs; no bright-cut switch; no logo. V2 = Changed to smaller current enclosure; gold powder coat color. V3 = Bright-cut toggle added. V4 = Two times more headroom; Gain Toggle added; Red Remote system added. THIS PEDAL REQUIRES STANDARD 9V DC CENTER NEGATIVE POWER, CONSUMES 43MA, AND MEASURES 2.2" X 4.8" X 1.6".

Tames a screaming loud tube amp by running through the effects loop and controlling the amount of signal sent to the power section Lets you really push the front end of your amp for the natural feel and tone that you can’t get any other way Retain the response and tone of your amp’s sweet spot at lower levels High grade components keep your tone clear and pure Passive design doesn’t require any power Designed to be compact, sturdy, and simple to integrate into your rig Can easily be mounted underneath your pedalboard

JHS Pedals is proud to present the Whitey Tighty compressor, our take on the classic effect that no one may ever know is on, but when it’s off you feel like your pants are down. The Whitey Tighty is as simple as it gets while never getting in the way. At only 1”x3”, you’ll save so much space on your pedal board that you’ll be able to add to your wardrobe of effects with ease. And with the ability to blend in compression and clean signal, you’ll be able to dial in the perfect sound that keeps everything in place. The Whitey Tighty is a FET compressor that has three simple controls: Volume, Compression, and Blend. The Volume control gives you the ability to set your volume at unity gain or slightly boosted to make up for any perceived loss from the compression. The Compression knob controls the amount of compression for everything from a subtle smoothing of your tone to a pleasing squash that’s perfect for country, blues, pop, and rock. Use the Blend knob to dial in the right amount of clean tone along with your compressed signal. This allows you to retain some of the natural feel of your clean tone while giving you the studio-quality compression that brings your sound to the next level. Tighten up your tone with the JHS Pedals Whitey Tighty!

Have you ever ridden the sonic waves of a vintage Fender blackface or Vox tremolo flowing like water from the speaker? Then you know that this kind of tone can make you feel like you’re sailing on a million dollar yacht. The Tidewater tremolo faithfully recreates this beloved amp tremolo with a warmth and character you would only expect from a vintage amp. With simple controls and a small footprint, you’ll be sailing the high seas of tone with the Tidewater tremolo. The controls are Volume, Mix and Speed. The Volume allows you to set the overall volume at unity, below unity, or above unity for a boosted tone. With the Mix turned all the way down you can use the Tidewater as a warm preamp boost. The Mix knob controls the depth of the tremolo while the Speed knob controls how fast the tremolo moves, indicated by the LED next to the Speed knob. Inside the pedal on the back of the PCB there are three small dip-switches. When all three switches are in the down position, the range of speed available is faster. When all three switches are in the up position, the available range of speed is slower.

Every guitarist loves the sound and feel of a Marshall JTM45 amp head. And with the JHS Pedals Charlie Brown V4 amp-in-a-box, you can put that same thick, chewy, old-school rock tone onto your pedalboard. In fact, we even outfitted the pedal with a Marshall-style 3-band tone stack to achieve a tone that would please Clapton himself. Whether you’re trying to replicate the Woman Tone, the character of Hendrix’s cranked walls of Marshalls, or Gary Moore’s higher-gain sound, they’re all waiting for you in the Charlie Brown V4. Grab one today, and turn your rig into a legendary JTM45. VINTAGE BRITISH CRUNCH FOR YOUR PEDALBOARD More and more, guitarists like you are leaning on pedals to supply their overdriven tones. They need stompboxes that will completely change the character of their amplifiers on a dime. For vintage crunch and British attitude, there simply isn’t a better pedal than our Charlie Brown V4. - Turns any amp into a gritty JTM45 stack - Go from ‘60s-style crunch to thick and liquid rock tones with a twist of the Drive knob - Drive and Volume control interact the same as a master volume amp head - Back off your guitar’s volume to control your gain levels without losing clarity MARSHALL-STYLE TONE STACK To really nail the ultimate JTM45 tone, we added Marshall-style control to the Charlie Brown V4 overdrive. Now, not only will this pedal mate perfectly with your current clean amp tone, but you’ll be able to find the exact JTM45 sound you need for your application. And because the Charlie Brown reacts just like a classic tube amp, it’s even a perfect candidate for stacking with another overdrive. - Fine-tune your tone with controls for Bass, Middle, and Treble - Active controls boost and cut their selected frequencies - Stacks beautifully with overdrive pedals for even more shades of grit