Taylor Guitars

The Grand Concert’s intimate body size and 24-⅞-inch scale length make for a comfortable playing experience that fingerstyle players are bound to love. The 12-fret version of the 812ce yields a slightly different character than the 14-fret because the bridge position is closer to the center of the lower bout and because the bracing profile was modified to emphasize a bolder attack. Players can expect plenty of the Grand Concert’s signature articulation with a slightly meatier, more robust tonal output. Recently integrated with the 800 Deluxe Series, this year’s edition of the 812ce 12-Fret includes a radius-style rosewood armrest for enhanced playing comfort. It features our V-Class bracing design, which bolsters this small-bodied guitar with added projection and sustain, bringing out more of Indian rosewood’s harmonic complexity. If you like a slightly darker, punchier quality in a small guitar, the 812ce 12-Fret is a great choice. With hard shell case.

Along with its chameleonic tone-shifting powers and cross-genre versatility, our T5z Classic has always borne a minimal, functional aesthetic that reflects its musical utility. Here, we’re kicking up the visuals with a stunning Hawaiian koa top rich with organic variegation and natural hues—a style usually reserved for Custom or Pro T5z models. Musically, the T5z Classic is as bold and pragmatic as you’d expect from our line of hollowbody hybrids, with a comfortable neck that feels easy in the fretting hand whether you’re playing cowboy chords or flying lead licks. The five-way switching system allows you to shape your tone around three pickups—an acoustic body sensor and two humbuckers—so that you can bend between warm acoustic sounds and searing electric sizzle on a dime. Details for this model include a handsome shaded edgeburst top treatment, a satin finish and two F-holes on an unbound body, showcasing Hawaiian koa’s natural beauty. Small Diamond fretboard inlays in Italian acrylic and satin black tuners round out the visuals. This model ships in a Taylor deluxe hardshell case.

Refined sonic and aesthetic details abound on Taylor’s rosewood/spruce 900 Series, whose tone receives a major upgrade from newly added V-Class bracing. The 912ce’s compact Grand Concert body is a lap-friendly delight, while the slightly shorter 24 7/8-inch scale length makes bending strings and fretting chords even easier. The new bracing scheme delivers improvements to volume and sustain, making this small-bodied guitar a powerhouse in both practice and performance situations. Tone-optimizing features include customized wood thicknesses for the Grand Concert shape, along with protein glues for the bracing and bridge and a thin (3.5 mil) gloss finish. The result is a guitar that’s incredibly responsive to a light touch, with impressive midrange warmth and sustain. Between the balance, articulation and broad tonal range, fingerstyle players will love exploring the guitar’s sonic palette. The guitar ships with ES2 electronics and a Venetian cutaway in a Taylor deluxe hardshell case.

This Grand Pacific dreadnought was forged from Taylor creativity during times of unprecedented global challenges in 2020. Solid ovangkol back and sides bring much of the sparkle and low-end presence you would expect from rosewood, plus a leveled-up midrange for a truly balanced sound up and down the neck. With a solid spruce top, the Grand Pacific body shape produces warm, seasoned acoustic tone reminiscent of vintage acoustic recordings. V-Class bracing adds its tone-enhancing magic to the mix, producing louder notes and chords that sustain and bloom with impeccable intonation. Together, the tonewood pairing, body shape, and interior bracing add up to a versatile workhorse, capable of filling a room with rich cowboy chords or soft fingerpicked melodies. Aesthetically, the AD17e is detailed with minimal appointments to preserve its classic character. Chamfered body edges, stained spruce edge trim, a three-ring rosette in Hawaiian koa, and a faux tortoiseshell pickguard add to the refined visuals, with an Urban Sienna stain for the back and sides and a thin 2-mil matte finish optimizing the guitar’s lively acoustic response. It ships with built-in ES2 electronics in a Taylor AeroCase.

The 2010 Baritone 8-String is Taylor’s first and the best model that they’ve offered with full rich tone from the Indian Rosewood back and Sitka Spruce top. A Baritone plays just like a regular guitar but with great low notes. The extra two strings give the guitar lots of sparkle. It comes tuned B to B, and with a 27" scale. There are the two octave strings on A and D—the fourth and third strings as on an acoustic 12–string. This guitar is in excellent condition with no issues with only slight wear on the frets and light signs of playing on the finish. We just gave it a neck angle adjustment so it is playing smooth and easy.It comes in it’s original hard shell case.

Description coming soon...

The guitar that set the standard for the travel guitar market, the enduringly popular Baby Taylor makes a great musical companion. Portable, playable and affordable, the Baby features a solid spruce top and yields impressive volume and tone for its compact, three-quarter-size scale. It’s the perfect travel mate, it’s a great choice for kids taking lessons, and artists from Lindsey Buckingham to Bono to Taylor Swift have used one for songwriting, recording and performing. With its unique dimensions and tonal personality, players have used it in other creative ways, from high-stringing it to setting it up to play lap slide to adding a capo to evoke mandolin-like sounds. The Baby includes a Taylor gig bag for easy portability.

Players seeking a unique addition to their musical arsenal will love the Taylor 314ce-N, a Grand Auditorium acoustic-electric with nylon strings and a neck profile that will surprise those with experience playing traditional classical guitars. This model features a neck width of 1-⅞”, striking a perfect balance between fretting-hand comfort and adequate string spacing for fingerstyle players. Back and sides of solid sapele serve up a punchy midrange and a strong fundamental focus, while the Sitka spruce top ensures articulation and clarity with every note. Visual details maintain the workmanlike aesthetic of the 300 Series, with black binding, a three-ring black rosette, Italian acrylic fretboard inlays in our Gemstone pattern, a glossy top finish with satin back and sides, and nickel nylon-string tuners. The 314ce-N ships with our ES-N pickup for clear, warm plugged-in tone and a deluxe hardshell guitar case.

Taylor’s Grand Concert 12-strings reaffirm Taylor’s heritage of easy-playing double course instruments thanks to a lap-friendly body size, a 12-fret neck, and a 24-7/8-inch scale length. The slinky handfeel makes fretting and bending strings easier, the neck and body are comfortably balanced, and the compact body produces a clear 12-string voice. The hardwood mahogany top adds just enough compression to the attack to smooth out the response, bringing an appealing consistency across the tonal spectrum, while still capturing the beautiful octave shimmer. V-Class bracing adds another dimension of musicality, improving volume and sustain so that notes and chords bloom and expand as they resonate. It makes a great 12-string choice for tracking in a studio, and behaves well with other instruments in a live setting. Refined aesthetic touches include a shaded edgeburst body and neck, faux tortoise shell binding, a rosette of faux tortoise shell and grained ivoroid, and a grained ivoroid Century fretboard inlay.

A versatile instrument suitable for a range of musical applications, the Grand Auditorium 714ce boasts a rich and dynamic voice. The Lutz spruce top responds with the sonic power and headroom of old-growth Adirondack spruce, with an extra splash of warmth across the tonal spectrum. Together with Taylor’s patented V-Class bracing scheme and solid Indian rosewood back and sides, this guitar resonates with spectacular power, clarity and sustain. One of the most inspiring attributes of the bracing architecture is the noticeably enhanced in-tuneness of the notes, with more harmonic agreement among chords and extra girth in upper-register notes. The result is a balanced, textured sound that’s rich in tonal nuance with enough dynamic range to support hard hitters and soft pickers alike. Aesthetically, the 714ce sports an aesthetic that balances rootsy and refined elements, featuring wood-rich details like koa binding, a herringbone-style Douglas fir/maple rosette, and bias-cut Douglas fir top trim, along with abalone Reflections fretboard and peghead inlays and a “weathered brown” pickguard. The guitar ships with ES2 electronics in a deluxe hardshell case.

The deep color and rich grain of a mahogany top give the T5z Classic a vintage, earthy character. Distinctive T5z features include a more compact body than the original T5, a 12-inch fretboard radius, and jumbo frets, which add up to a fast, fluid playing experience that makes string bends fun. Like the T5, the T5z is equipped with a three-pickup configuration of an acoustic body sensor, a concealed neck humbucker, and a visible bridge humbucker, plus five-way switching and onboard tone controls, giving players an incredibly versatile electric/acoustic guitar. Appointments include Small Diamond inlays and nickel hardware, an unbound body and satin classic mahogany finish. The guitar ships in a T5z gig bag.

An exciting new entry into the world of acoustic-electric guitars, the GTe Urban Ash debuts a new body shape that’s sure to inspire players of all skill levels with its compact frame, accommodating feel, and robust acoustic voice. The GT (Grand Theater) features a scaled-down body that echoes the jumbo curves of our Grand Orchestra shape, with its dimensions reduced to create a remarkably approachable feel. The innovation extends to the GT’s interior architecture, built on a new asymmetrical bracing design called C-Class bracing. This new sonic structure brings the tonal benefits of V-Class bracing to the smaller GT body shape, producing more volume and longer sustain while also bolstering the GT’s bass response to surprising levels of low-end power from a smaller guitar. This model takes its name from the solid Urban Ash that composes its back and sides, which serve up a rich, shimmering midrange accented by pristine highs. Visually, the GT is appointed with modest details such as a three-ring koa rosette and Pinnacle inlays in Italian acrylic, preserving its accessible price point and clean aesthetic. A super-thin, water-based matte finish, paired with an Urban Sienna stain for the back and sides, reflects a dusky, alluring visual character, preserving the wood’s visual texture and allowing the player to feel the grain through the finish. Onboard ES2 electronics provide quick plug-and-play functionality when you need amplified sound. This model includes a sturdy, lightweight AeroCase™ for easy, safe transport.

This popular cutaway Grand Auditorium entices players of all styles with an array of sonic delights, starting with the classic wood pairing of solid rosewood and Sitka spruce. The guitar is now powered by our award-winning V-Class internal bracing, which not only enhances the voicing with more volume, sustain and projection, but also improves the intonation along the entire fretboard, yielding greater clarity, consistency and harmonic agreement between notes. As a result, rosewood’s full-spectrum voice, featuring rich overtones, takes on an even more pleasing high-fidelity sound that translates into a more expressive response. It makes a fantastic guitar for virtually any application. The appointments strike a tasteful balance between style and restraint, featuring white binding, Renaissance fretboard/peghead inlays in Italian acrylic, and a full-gloss body. The guitar ships with Taylor ES2 electronics in a deluxe hardshell case.

At the time of production Taylor described this guitar as, "one of the most sublime guitar series Taylor has made to date". It comes from a time when Bob Taylor was intimately involved in his custom shop and utilizing the finest materials available. They also describe this guitar as, "a guitar that represents the debut of the Builder's Reserve series and celebrates the launch of the Taylor SolidBody" this being a truly special distinction. This guitar comes with a booklet featuring photos of the life of this Bastogne tree, Bob Taylor overseeing the milling the wood and the builders in the custom shop crafting this fine guitar. There is so much goodness in this guitar, I will attempt to capture it all in this description, but to truly appreciate the quality of this instrument, you have to hold it in your hands and play it through a nice amp. It is next level and by far the finest Taylor electric guitar I have ever played. When I plugged this guitar in my expectations were far exceeded. This instrument has a robust feeling, similar to a Les Paul, but with less weight and more resonance. It has a solid feel in the hand and performs equally well clean with reverb as with a crunchy overdrive. This guitar does it all. It has sweet, robust tones and has an overall feeling of quality and modernity. The body and neck and top of this guitar are all milled from this eye catching master-grade Bastogne Walnut. The gorgeous figuring and curl of the wood draws you in to the beauty of this guitar. If that is not enough to make your eyes pop, the pick-guard is made entirely from inlaid pearl, a feature we have never seen before and may never see again. To top it all off they inlaid the Ebony fret-board with a striking yet tasteful mother of pearl Gothic Vine design. The hardware on this instrument sounds, looks and feels amazing. Featuring Style 1 pickups (Classic, Custom), these pickups are a 3/4-size humbucker that is "clear, punchy and dripping with tone". The bridge was designed entirely from scratch, each string sitting on its own saddle that can be adjusted front to back and side to side! The knobs are a dream as-well, designed by Taylor to "both feel good and work as a functional tool". To top it all off "The top is inlaid into the body, allowing us to define an edge with binding and then contour up to that edge." This guitar comes with a handsome brown suede guitar case, the original case that came with the guitar along with companion documentation.

This 2015 Taylor 816ce is one of the best sounding guitars that they've ever made. The Grand Symphony size guitar is rich sounding to begin with and the addition of Brazilian Rosewood for the back and side puts the sound over the top. The sound is rich and clear with plenty of bass. The guitar is in super-clean condition with only moderate fret wear that shows that it has been played and loved. It also plays as good as it sounds and the 1 3/4" nut width gives you plenty of room for left hand fingerings. It comes with its original hard shell case.

Oh wow! You've found the best deal in the store. This is Taylors most affordable American made guitar, the 300 series. This one is nice and well broken in and sounds fantastic!

This Taylor T5 is one of the best gigging and recording guitars available. It is the perfect guitar for the acoustic player that wants to get into electric playing and the working guitar player who needs a versatile rig. This Maple-top Tobacco Sunburst model is in very good to excellent condition with just light signs of playing. There are no dings, dents, scratches, issues or any signs of maltreatment of this instrument. It comes with it's original hard shell case.

This super-rare Presentation Series PS-14 is in near mint-condition and is one of the best sounding Taylor's we have had the pleasure to play. The top is a gorgeous piece of Sinker Redwood. The back and sides are made from Cameroon Ebony and have beautiful figuring. The Presentation Series appointments and the bevel give the guitar a killer look. The Ebony and Redwood combination yields a very special tone, rich, bright and full with an added bell-like clarity. This guitar is quite rare since very few of them were made due to the difficulty of bending and working with Ebony. It comes with it's hard shell case.

Joining the growing family of master-crafted Builder’s Edition guitars, this 652ce is a 12-string for a new generation of acoustic guitarist. Built with figured Big Leaf maple for the back and sides with a torrefied Sitka spruce top, this model’s shimmering, octave-rich tone benefits from maple’s clarity and focus, offering an expressive, easily-recorded sound that will inspire players to expand their sonic palette. V-Class bracing delivers a unique boost in the 12-string configuration, adding texture and tonal bloom as notes resonate with increased sustain and power, while the guitar takes on additional punch resulting from the reversed string orientation. Placing the fundamental string at the top of each pair adds warmth and body, and our new double-mounted string anchoring system provides cleaner intonation with each string crossing the saddle at the same point. Our special roasting process draws a more aged-in, sweetened response from the torrefied spruce top, and the 12-fret setup brings the bridge closer to the center of the lower bout for stronger midrange presence and a slinkier, more relaxed feel for your fretting hand. This 652ce is appointed to deliver a playing experience that matches its robust tone, with chamfered body and fretboard edges, a smooth Curve Wing bridge, and beveled armrest and cutaway providing a truly fluid, intimate connection between player and instrument. Like many of its Builder’s Edition counterparts, this 12-string is finished in an edgburst-hued Silent Satin sheen that reduces incidental noise for clean recordings, along with Scepter inlays in shell and mother-of-pearl for an artful, eye-catching visual character. It ships with ES2 electronics in a deluxe Taylor hardshell case.