Guitars

This vintage-look edition of our Grand Auditorium 714ce sports a Western Sunburst top treatment to complement its warm, saturated tonal personality. The solid Lutz spruce top delivers a powerful sonic output (reminiscent of old-growth Adirondack spruce) that’s further bolstered by the addition of our V-Class bracing. Together with solid Indian rosewood back and sides, players can expect the appealing blend of strong lows, sparkling highs, and overtone bloom that has made rosewood a tonewood favorite, with an inspiring new level of musicality thanks to the bracing. The guitar produces surprising volume with a light touch, while heavier strumming yields stunning projection and sustain. The V-Class architecture also controls the top movement in a way that produces a more orderly response, enhancing the in-tuneness of the notes and giving rosewood’s rich overtone bloom a wonderfully well-behaved character. Wood-rich aesthetic details include koa binding, a herringbone Douglas fir/maple rosette, bias-cut Douglas fir top trim, and our Reflections fretboard/peghead inlays in abalone. This model includes Taylor ES2 electronics for faithful amplified tone and ships in a deluxe hardshell case.

Collings 02H with a sunburst Baked Sitka Spruce top, Indian Rosewood back and sides, the Collings "traditional package," and a Collings hard shell case. From CollingsGuitars.com : " 02H With the exception of the Baby, the 0 is our smallest guitar and is offered with the same shorter scale found on the 12-fret 00. Although measuring only 13.5 inches in width (smaller than a typical classical guitar), the Collings 0 has tone and volume that belies its first impression as being less than full-sized. It can double as a travel guitar or a small OM, performing both roles equally well. The same neck and woods options offered with larger Collings models are available on the 0 as well, giving players an almost infinite range of tonal possibilities." Top Sitka spruce Back & Sides E. Indian rosewood Neck Honduran mahogany Body Binding Ivoroid with herringbone purfling Fingerboard Binding None Peghead Binding None Bridge Ebony belly-style with 2 3/16" spacing Fingerboard Ebony with abalone short diamond & squares Bridge Pins/End Pin Ebony with MOP dot Nut Bone, 1 3/4" Saddle Bone, drop-in Neck Profile Modified V Peghead Profile Tapered square with volute Neck Joint Mortise & tenon hybrid Truss Rod Fully adjustable Frets Medium 18% nickel-silver Peghead Veneer Stained Exotic Ebony with MOP Collings logo Tuners Nickel Waverly (16:1 ratio) Backstrip 2-style (Zipper) Rosette iv/tort/iv & b/w purflings Scale Length 24 7/8" Brace Material Sitka spruce Brace Pattern Pre-war scalloped X-brace Fingerboard Radius 14" - 26" compound Body Finish High gloss nitrocellulose lacquer Neck Finish High gloss polyester resin Pickguard Tortoise Strings D'Addario EJ-16 (.012"- .053") Case Collings Traditional Handcrafted Case

This mint-condition, used Taylor 412ce-NR features Indian Rosewood back and sides, and a Cedar top, on a Grand Concert body shape. It comes with an under-saddle pickup and preamp, and a hard shell case. The 1 7/8" nut width provides a wonderful transition between traditional nylon string construction and steel string width.

One of the distinctive traits of maple as a tonewood is its sonic transparency, which makes it wonderfully player-reflective. On this maple/spruce 614ce, a torrefied (specially roasted) Sitka spruce top and our tone-enhancing V-Class bracing take that natural versatility to a whole new level. Whatever the player brings to the guitar comes through—it can be played to sound warm or bright. The roasting process for the top elicits a more played-in tone, and together with the V-Class bracing gives the player a more expressive tool in the form of increased dynamic range, greater projection, longer sustaining notes, and more harmonic agreement with chords up the entire fretboard. The 614ce also stands out as one of the most touch-sensitive models in the entire Taylor acoustic line. Whether you play fingerstyle arrangements or strum in alternate tunings, whatever your preferred musical style, this guitar pays musical dividends on what you put into it. Aesthetic touches include a hand-rubbed Brown Sugar stain that highlights the rich figure of the maple back and sides, along with ebony binding, a paua abalone rosette trimmed with ebony and ivoroid, and our Wings fretboard and peghead inlays in grained ivoroid. The guitar ships with ES2 electronics in a deluxe hardshell case.

This spectacular sounding WolfSong Trey 11610 is constructed with Maple back and sides and a Sitka Spruce top and Koa binding by Beaumont Chadinha at his WolfSong shop in Stow, Maine. It has many unique design features, such as the bolt-on neck joint, the styled bridge, headstock, and double-sidewall build. This pre-owned, one-owner guitar is truly original. This great sounding guitar is also a steal of a value for a hand built masterpiece! Specs as described at WolfSongGuitars.com : TREY FINGERSTYLE GUITAR Specifications: Upper bout: 11 Lower bout: 15 Waist: 8 7/8 Depth @ neck block: 3 5/16 Depth @ tail block: 4 Body Length: 19 3/4 Scale Length: 25.4 Nut Width: 1 11/16 Saddle Width: 2 5/16 Features: Sound Port Florentine Cut-away Gotoh 510 tuning machines