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The Seagull S8 Mandolin is an acoustic mandolin that offers players the opportunity to experience the great feel and superb sound provided by a hand finished neck, solid sitka spruce top and a Custom Polished Finish. Body Depth 1.85" (46.99 mm) Body Length 12.24" (310.9 mm) Lower Bout 8.22" (208.79 mm) Nut Width 1.188" (30.18 mm) Scale 13.88" (352.43 mm) Upper Bout 5" (127mm)

The Seagull S8 Mandolin is an acoustic mandolin that offers players the opportunity to experience the great feel and superb sound provided by a hand finished neck, solid sitka spruce top and a Custom Polished Finish. Body Depth 1.85" (46.99 mm) Body Length 12.24" (310.9 mm) Lower Bout 8.22" (208.79 mm) Nut Width 1.188" (30.18 mm) Scale 13.88" (352.43 mm) Upper Bout 5" (127mm)

The 114e features our popular Grand Auditorium body style, whose physical dimensions have made it a popular choice for its appealing performance versatility. Layered walnut back and sides are topped with a solid Sitka spruce soundboard, which together produce signature clear and balanced tone with a pleasing projection and midrange focus. The 1-11/16-inch nut width is slightly narrower than the standard 1-3/4-inch width of other steel-strings in the 300 Series and up, making it easier for developing players to navigate the fretboard. And with Taylor’s onboard Expression System 2 pickup, the guitar is ready to plug in whenever you are. The guitar ships in a durable lightweight gig bag.

Taylor’s 12-fret guitars update a classic steel-string design with signature touches that combine a slinky handfeel with impressive tonal power for the compact Grand Concert body size. The 312ce 12-Fret’s slightly condensed 24-7/8 inch scale length makes the fretting experience more accessible, while the solid sapele and Sitka spruce pairing produces a vibrant midrange with pleasing focus and projection. V-Class bracing bolsters the projection and sustain, adding sonic headroom for lively players looking for mix-leading sound from a small, comfortable frame. Appointments include satin back and sides with a gloss top, black binding, Italian acrylic small diamond fretboard inlays, a 3-ring rosette, a Venetian cutaway, and Taylor’s stage-ready ES2 acoustic electronics. The guitar comes with a Taylor deluxe hardshell case.

With its generous contours and innovative soundport cutaway, the Grand Symphony body shape represents Taylor's envelope-pushing design philosophy. This 326ce from the 300 Series delivers on the immersive, high-fidelity promise of the Grand Symphony shape, utilizing all-solid mahogany back, sides and top and V-Class bracing to serve up a rich, room-filling sound that retains mahogany's warmth and focus. That orchestral response makes the 326ce a great choice for everything from accompanying other instruments to recording to shining solo under the stage lights. If you're ready for an entirely new acoustic guitar playing experience, the 326ce is for you.

Fans of the classic rosewood/spruce tonewood pairing might find an exciting new musical avenue in the 814ce-N, a nylon-string edition of our flagship Grand Auditorium guitar. A slightly larger cousin to our Grand Concert nylon-string model in the 800 Series, this guitar benefits from Indian rosewood’s rich low end and treble-range brilliance, paired with solid Sitka spruce for clarity and projection. Guitars in the 800 Series are built with the utmost standards of precision and attention to detail, and this model is no different, with traditional hide glue used for the internal bracing and a lightweight, 4.5-mil gloss finish that helps preserve resonance. Classical players will feel at home on this model’s 20”-radiused fretboard, while the 1-⅞” nut width keeps things adequately spaced for intricate fingerstyle playing. The 814ce-N is appointed with maple binding, a single-ring abalone rosette with bound soundhole, mother-of-pearl inlays in our Element pattern, and classical nickel tuners. It ships with Taylor’s proprietary ES-N nylon-string acoustic pickup and a deluxe hardshell guitar case.

The Baby Taylor has long been a gateway for new learners into the world of the acoustic guitar, and with the all-mahogany BT2, players now have another option in both look and sound. A solid top gives this three-quarter-scale guitar a surprising sonic punch for its size, and the slim, comfortable neck makes it easier to hold down the strings to form notes and chords. An ideal beginner's or kid's guitar but also great for experienced players who want a decent-sounding travel guitar, the BT2 is a fun-sized blend of musical excitement and utility. It includes a soft gig bag.

Perfect for fireside jams, basement practice sessions, and practicing on the go, the Baby Taylor has delighted players with its comfortable size and tuneful sound for years. We’ve refreshed this versatile ¾-size guitar with back and sides of layered Hawaiian koa and a solid koa top whose striking visual character makes this model as fun to show off as it is to play. Whether you’re a beginner in need of a small starter guitar or a seasoned pro in need of a travel companion, the BTe-Koa has you covered.

Among the first generation of our Grand Pacific dreadnought guitars, the mahogany/torrefied spruce Builder’s Edition 517 dramatically expands the Taylor line’s sonic palette with a new flavor of acoustic tone that may surprise players who think they know the Taylor sound. An exciting new entry into the dreadnought category, this round-shoulder Grand Pacific resonates with a finely-honed balance of low-end power and clarity across the middle and upper registers, producing warm, rounded tone in which notes blend seamlessly together to create a seasoned sound. Back and sides of neo-tropical mahogany flavor the sound with dry, woody character, coupling beautifully with the dynamic response of the torrefied Sitka spruce top. The Builder’s Edition stamp means that the 517 is detailed with premium features designed to maximize player comfort, including chamfered body edges and a new compound-carve neck profile that compensates for the change in your hand position as you move along the neck. Subtly contoured fretboard edges and a rounded, ridgeless heel add to the guitar’s pleasing fretting-hand feel, while a refined bridge shape brings extra comfort to your pick hand. Under the hood, V-Class bracing enables the guitar to pump out stunning projection and sustain, plus nearly perfect intonation, which means you won’t have to contend with sour notes on the fretboard. Between its sound and feel, the Builder’s Edition 517 once again raises the bar on the Taylor playing experience.

Designed from the ground up for comfort, playability and rich tone, the GT Urban Ash debuts a new compact body shape with a big, resonant acoustic voice. The GT (Grand Theater) shares the basic footprint of the jumbo-sized Grand Orchestra shape, but its proportions have been scaled down (including a shallower body depth), creating a fun, inviting feel in a package that you can take virtually anywhere. The GT also features a uniquely proportioned neck with a scale length of 24-⅛”, a bit longer than the GS Mini and a bit shorter than the Grand Concert. The neck provides a slinky fretting feel thanks to reduced string tension. It comes together in the GT Urban Ash, built with solid back and sides of the responsibly sourced tonewood that gives the guitar its name. A solid spruce top helps charge the GT’s tonal response with projection that belies its small frame, powered by the new asymmetrical C-Class bracing design, which translates the tone-enhancing properties of V-Class bracing into a sonic engine that’s appropriate for this new body shape. Expect a warm, punchy midrange accentuated by crisp treble notes, with an impressive bass response that owes its surprising power to the new bracing scheme. A beautiful fretboard of responsibly sourced smoked eucalyptus delivers the feel of a rosewood fretboard with the tonal character of ebony, while a thin matte finish preserves the guitar’s resonance. A clean-cut appointment package includes Pinnacle inlays in Italian acrylic, a three-ring koa rosette and a dusky Urban Sienna stain on the ash back and sides. It ships in a super-durable yet lightweight AeroCase™.

An exciting new entry into the world of acoustic-electric guitars, the GTe Urban Ash debuts a new body shape that’s sure to inspire players of all skill levels with its compact frame, accommodating feel, and robust acoustic voice. The GT (Grand Theater) features a scaled-down body that echoes the jumbo curves of our Grand Orchestra shape, with its dimensions reduced to create a remarkably approachable feel. The innovation extends to the GT’s interior architecture, built on a new asymmetrical bracing design called C-Class bracing. This new sonic structure brings the tonal benefits of V-Class bracing to the smaller GT body shape, producing more volume and longer sustain while also bolstering the GT’s bass response to surprising levels of low-end power from a smaller guitar. This model takes its name from the solid Urban Ash that composes its back and sides, which serve up a rich, shimmering midrange accented by pristine highs. Visually, the GT is appointed with modest details such as a three-ring koa rosette and Pinnacle inlays in Italian acrylic, preserving its accessible price point and clean aesthetic. A super-thin, water-based matte finish, paired with an Urban Sienna stain for the back and sides, reflects a dusky, alluring visual character, preserving the wood’s visual texture and allowing the player to feel the grain through the finish. Onboard ES2 electronics provide quick plug-and-play functionality when you need amplified sound. This model includes a sturdy, lightweight AeroCase™ for easy, safe transport.

Among the first Taylor models to be voiced with our patented V-Class™ bracing, this beautiful all-koa Grand Auditorium K24ce acoustic guitar will inspire players in both looks and sound. The hardwood koa top helps produce a balanced response across the tonal spectrum, with a clear, focused voice that lends itself to amplification through our onboard ES2 electronics. With the V-Class treatment, players can expect more dynamic range, more sustain, and notes that sound more in tune with each other than ever before, giving chords a more sonically pleasing character along the entire fretboard. Together with our popular Grand Auditorium body, the musical versatility makes this a guitar that can cover a lot of ground. Visually, koa’s shimmering figure is highlighted with organically styled appointments that include our new Spring Vine inlay in maple, with maple binding and top trim adding a creamy counterpoint against the shaded edgeburst finish that surrounds the entire guitar.

This deluxe edition of our mahogany-top T5z Classic sports an aesthetic upgrade to a rich all-gloss body and shaded edgeburst (entire guitar), adding refined character to the guitar’s vintage look. Distinctive T5z features include a more compact body than the original T5, a 12-inch fretboard radius, and jumbo frets, which add up to a fast, fluid playing experience that makes string bends fun. Like the T5, the T5z is equipped with a three-pickup configuration of an acoustic body sensor, a concealed neck humbucker, and a visible bridge humbucker, plus five-way switching and onboard tone controls, giving players an incredibly versatile electric/acoustic guitar. Appointments include small diamond inlays and nickel hardware. The guitar ships in a Taylor deluxe hard shell case.

The SL 410x offers an unprecedented balance of performance and weight. In fact, at only 49 lbs. (22.23 kg), this compact cabinet is almost half the weight of a traditional 410 bass cabinet! This cabinet is available in 4 or 8 ohm configurations and can handle 800 watts RMS. It also features four custom-voiced woofers with Neodymium magnets and a phenolic tweeter with variable level control. With a frequency response of 44 Hz–16 kHz, the SL 410x provides the deep lows, articulate midrange and smooth treble for which Aguilar is known for. Power Handling: 800 watts RMS Frequency Response: 44 Hz – 16 kHz Sensitivity: 100.3 dB 1W 1M Phenolic tweeter with integral phase plug Custom crossover with variable tweeter control Impedance: 4 ohms Dimensions: 23 15/16” H, 21 15/16” W, 15 11/32” D Weight: 49 lbs Includes: Removable Casters Optional Padded Cover

The Tone Hammer ® 350 makes a big sound while having a tiny footprint! Boasting a 3 band EQ and 350 watts of power, this little beast gives you classic Aguilar tone in an easy to carry, 3 lb. package! Players on a budget can now have it all – tone, power and portability! Plus, it’s assembled at the Aguilar factory in NYC. Power Output: 350 watts into 4 ohms, 175 watts into 8 ohms Preamp Section: Solid State Power Section: Class D Transformer: Switching mode power supply (SMPS) Tuner output EQ Section: Bass: +/- 17 dB @ 40 Hz Mid Level: +/- 16 dB Mid Frequency: 180 Hz – 1 kHz Treble: +/- 14 dB @ 4 kHz Drive Control: Fully adjustable, featuring Aguilar’s proprietary AGS (adaptive gain shaping) circuit. Inputs: One 1/4″ input jack, compatible with all active and passive basses -10dB input pad Speaker Output: Neutrik Speakon Balanced Output: XLR balanced output with pre/post EQ and ground lift switch Cooling: One high-quality whisper fan with thermal speed control Dimensions: 8.25″ W x 7.5″ D x 2.75″ H Weight: 3 lbs Warranty: Three year limited Optional: Durable carrying bag

Based on the popular Tone Hammer ® pedal, this superlight bass head combines 3 bands of flexible EQ, a colorful “Drive” control, and 500 watts of power in a 4 lb. package. The Tone Hammer ® 500 will give you the legendary “Aguilar Sound” while still fitting into the accessory pouch of most gig bags – the perfect choice for bass players on the go. Power Output: 500 watts into 4 ohms, 250 watts into 8 ohms Preamp Section: Solid State Power Section: Class D Transformer: Switching mode power supply (SMPS) EQ Section: Bass: +/- 17 dB @ 40 Hz Mid Level: +/- 16 dB Mid Frequency: 180 Hz – 1 kHz Treble: +/- 14 dB @ 4 kHz Drive Control: Fully adjustable, featuring Aguilar’s proprietary AGS (adaptive gain shaping) circuit Effects Loop: Series operation. Adds 6 dB of additional gain, making it useful for a broad range of effects units. Inputs: One 1/4″ input jack, compatible with all active and passive basses Speaker Outputs: Two Neutrik Speakon speaker outputs Balanced Output: XLR balanced output with pre/post EQ and ground lift switch Tuner output Cooling: Two high-quality whisper fans with thermal speed control Dimensions: 10.75”W X 8.5”D X 2.75”H Weight: 4 lbs Warranty: Three year limited