Taylor Guitars

The 50th Anniversary 314ce LTD elevates one of the world's best-selling U.S.-made acoustic guitars to new heights. Featuring a torrefied Sitka spruce top and solid sapele back and sides, this versatile Grand Auditorium produces a punchy midrange with a warm, woody low end to balance its sparkling trebles. Taylor's V-Class bracing generates greater volume, sustain and harmony down the neck, while our special roasting process for the top adds a touch of aged-in depth and sweetness. They’ve enhanced the vintage character of the slightly darkened top with a subtle shaded edgeburst around the body and neck, while a firestripe faux-tortoiseshell pickguard adds a bold visual touch. Other aesthetic details include gold tuners and ebony bridge pins with gold acrylic dots. Like all 50th Anniversary Collection models, it features a celebratory limited-edition label, and production will be limited to 1,974 guitars worldwide. This model includes ES2 electronics and a hardshell case.

If you know Bob Taylor, you know he likes refined woodworking and pleasing sound. So when he decided to design an acoustic amplifier from a stockpile of tonewoods not quite right for guitars, he knew just who call. Soon after, pro player Terry Myers, electronics guru Tyler Robertson and woodworking wizard David Judd were in Bob’s workshop and ideas were flying around as much as the sawdust. Starting mid-pandemic meant Bob Taylor and team could do things their own way with no ticking clock. They could ignore the rules – foregoing today’s often “over-engineered” mentality, they went about designing an amp guided by curiosity, experimentation and their own ears. The first problem to tackle: What if an acoustic amp could also work like a PA? Could they design an amp that a person could sing through and also sound good? With ear-pleasing analog warmth? And was portable and easy to use? They found themselves working on this project with the type of creative passion you’d find at a startup – reminding Bob of his earlier days founding Taylor Guitars – circa 1974. Sonically, they wanted to dial down some of the high-end harshness found in many acoustic amps and channel the classic warmth of an acoustic guitar or a vinyl record. In testing and selecting the chassis and speaker, the group relied on their ears—not the reading of an oscilloscope. “We designed it with an appreciation for the human listening experience,” explains Terry Myers. “It was informed by the pleasure of listening to records from the ’60s and ’70s.” Similar to the way tonewoods selected for the back and sides of an acoustic guitar add sustain and uniquely flavor the sound, the amp’s mahogany cabinet helped contribute to its warm sonic character. Wanting to give the amp extra utility for gigging guitarists who sing or duos, they designed it as a 2-in-1 acoustic and vocal amp with two input channels. Finally, Bob and David designed a matching amp stand featuring a slightly angled surface to optimize projection and routed footholds that secure the amp. Together, the two pieces pair beautifully, with clean lines and rich wood texture reminiscent of mid-century modern furniture design. What began as a challenge turned out better than they’d imagined. The result: Circa 74 is a beautiful, musical amp with notable simplicity and playability. “I wanted the elegant aesthetic appeal of a piece of finely crafted furniture,” Bob says. “Something that looks great in a living room or at a wedding reception or wine bar. And wanting to use our wood resources in the most responsible way. I’m happy we were able to incorporate this mahogany into a product that I think musicians will really love.” Circa Story

With a solid Sitka spruce top, layered rosewood back and sides, and an easy-playing Taylor neck, the 212ce offers an exceptionally comfortable playing experience paired with bold sound. Players will notice a clear, balanced response with an articulate character that's perfect for fingerstyle play and recording applications. A slightly narrower neck width means easy fretting, making this a great choice for players of all skill levels. Onboard ES2 electronics faithfully translate the 212ce's tone whenever you need to plug in and play. Traditional appointments and a structured gig bag for storage and transportation round out the package.

The pinnacle of Taylor's rosewood/spruce offerings is the 914ce, a Grand Auditorium acoustic-electric whose sonic complexity and richness are matched by its beautiful presentation and detailing. All-solid rosewood back and sides with a Sitka spruce top serve up a stunning balance of warmth and clarity, featuring low-end presence, chime-like trebles and a slightly scooped midrange that opens up space for vocals and other instruments. V-Class bracing helps push out more volume and sustain, and the built-in ebony armrest offers a more comfortable feel for your strumming/picking arm. Refined appointments include ebony binding, an Ascension inlay scheme in paua and pearl, and a paua rosette. It ships with ES2 electronics and a hardshell case.

The tonewood pairing of Indian rosewood with Sitka spruce in our versatile Grand Auditorium body shape is always a hit, and with the new 414ce-R LTD, players can enjoy the sonic benefits of that configuration with a beautifully elevated aesthetic character befitting the limited-edition label. The rosewood/spruce combination yields a rich, full-spectrum tone profile with warm lows, pristine trebles and a slightly scooped midrange, with our V-Class bracing inside to improve the volume, sustain and overall harmony across the guitar’s entire register. This model earns its limited-edition title with a gorgeous, intricate Lily and Vine fretboard inlay design in stunning mother-of-pearl that has only rarely appeared in select custom guitars. Other aesthetic appointments include white binding with a matching three-ring rosette, nickel tuners, a faux tortoiseshell pickguard, full-body gloss finish, and a tobacco shaded edgeburst color treatment for the top.

This deluxe Grand Concert acoustic-electric boasts a gorgeous visual profile thanks to back, sides and top of beautiful Hawaiian koa. A solid top yields a punchy midrange response with clear trebles and a woody, focused character that will grow even warmer over time. The compact body shape and narrower 1-11/16-inch nut width make for a remarkably accommodating, relaxed feel, perfect for everything from flatpicking and strumming to fingerstyle arrangements. Aesthetic refinements include a full-body gloss finish and gold hardware. This model includes ES2 electronics for clear, balanced plugged-in tone and a hardshell case for storage and transportation.

Sporting an elevated set of visual appointments to set it apart from its standard counterpart, the 214ce Plus offers an appealing blend of tonal richness, power and versatility. A solid spruce top over layered rosewood back and sides generates a punchy midrange with remarkable clarity and balance, adaptable across different genres and playing styles. The Taylor Neck makes it easier to hold notes and chords, and the Venetian cutaway provides access to the guitar's high register. The full-body gloss finish and black binding help give the 214ce Plus a stage-ready aesthetic, and with the built-in ES2 electronics, you're all set for amplified situations. This model includes a durable AeroCase that's less than one-third the weight of a hardshell case.

Outfitted with a solid spruce top, layered sapele back and sides, and a comfortable neck profile, the 110ce-S offers big, bold sound for players of all styles and skill levels. This classic Dreadnought acoustic-electric delivers a rich sonic punch with enough projection for both practice and performance situations. With a Venetian cutaway for easy access to the fretboard's upper register and built-in ES2 electronics, players can look forward to an easy-playing, accommodating experience that's up to the task in virtually any musical application—without breaking the bank or being too precious to take on the road.

The all-koa Grand Concert has long been a player favorite for its combination of musical complexity and visual beauty. The K22ce, made with top, back and sides of solid Hawaiian koa, boasts an eye-catching aesthetic thanks to a lustrous finish treatment and organic visual appointments that honor koa's island origins. Tonally, this model serves up a blend of warm midrange frequencies and a clear, articulate top-end, making it a great choice for fingerstyle players. The koa top also adds a bit of natural compression to balance out an aggressive attack, which is helpful in recording situations. The K22ce ships with built-in ES2 electronics and a deluxe hardshell case.

The T5z Standard offers a playing experience all its own, making for an excellent addition to any player's sonic toolkit. Three pickups—two high-definition humbuckers and an acoustic body sensor—combine to generate a rich array of sounds, from high-octane electric leads to warm, mellow acoustic tones perfect for fingerpicking or strumming. A five-way switch allows for on-the-fly tone shifting and blending of sounds between pickups, and the jumbo frets and 12" fretboard radius make for a fast, electric-friendly feel that's sure to impress acoustic and electric players. Featuring white binding, classic F-holes and Small Diamond fretboard inlays.

The Presentation Series features an ever-changing selection of premium tonewoods, and for this Grand Auditorium PS14ce, we've opted for a gorgeous set of Honduran rosewood paired with sinker redwood for the top. Honduran rosewood is beloved for its powerful, throaty low-end response and clear trebles, also producing lush overtones that bloom as notes resonate. The redwood top—sourced from logs submerged in California riverbeds—adds cedar-like warmth and touch sensitivity along with a high volume ceiling that's great for aggressive players. A radius-style armrest enhances the PS14ce's playing comfort, and a striking set of appointments includes a Simons back wedge with an ebony backstrap and binding, paua edge trim and super-precise Gotoh 510 tuners.

With its versatile Grand Auditorium body shape and cutaway, the AD24ce adds an entirely new dimension of sound to the American Dream Series. Back and sides of solid sapele paired with a mahogany top produce a warm, woody character with a prominent midrange focus, with the hardwood soundboard providing a natural compression effect to smooth out an aggressive attack. With Taylor's V-Class bracing inside to dial up louder volume, longer sustain and greater harmony all the way up the neck, the AD24ce offers a supremely balanced sound that's ideal for solo play sessions, recording and live performance. Appointments are earthy and distilled to keep the focus on sound, including a tobacco color treatment and a shaded edgeburst top finish.

Players love our Grand Concert acoustic guitars for their articulate sound and compact dimensions, and the 112ce-S fits the bill at a price point that's especially ideal for new players. A solid spruce top delivers bold, punchy sound with a balanced, clean character, making it a great choice for fingerstyle players as well as flatpickers and strummers. New and experienced players alike will appreciate the responsive, relaxed feel of the slender Taylor neck, and with ES2 electronics on board, you're guaranteed authentic acoustic tone whenever you need to plug in to an amplifier or PA. A lightweight yet sturdy structured gig bag provides ample protection for carrying the 112ce-S between home, lessons and wherever else your music takes you.

The 814ce has long been considered Taylor's flagship acoustic-electric guitar thanks to its mix of lush tone, playing comfort and all-purpose musical appeal. Here, Taylor is thrilled to present the next evolution of this classic model: the Builder's Edition 814ce. For this version, they've kept the solid Indian rosewood back and sides and paired them with a four-piece Adirondack spruce top, a combo that yields an enticing blend of low-end warmth, treble-range clarity and remarkable power, with our V-Class bracing inside to draw out more of the blooming overtones and rich sustain that players love. A handful of comfort-focused enhancements, such as a beveled armrest and cutaway and a subtle body taper, elevate the relaxed, accommodating feel of the Grand Auditorium body, while a striking full-body gloss finish and Kona burst for the back and sides raise this model's visual profile. Whether you're looking for an all-purpose musical workhorse or an heirloom-quality guitar to augment your collection, the Builder's Edition 814ce makes a compelling case as the most quintessentially "Taylor" guitar they've ever built.

Big Leaf maple Coupled with a torrefied spruce top, maple produces a vibrant sound with a transparent quality that emphasizes the unique style of each player, while the special roasting process for the soundboard adds a touch of aged-in sweetness.The comfortable Grand Concert body is appointed with an armrest, rolled edges, a beveled cutaway and Expression System 2 electronics. This guitar is in very good condition and comes with a Taylor Gig Bag.

We love Taylor nylon string models. Their Hybrid features like a radiused neck and slightly narrower than traditional neck width makes them guitar easy to play and great for Folk, Bossa Nova, Country and other styles as well as classical. This guitar is in excellent, near mint condition with the exception of two very small top dings, w/ original hard shell case.

This deluxe Grand Concert acoustic-electric boasts a gorgeous visual profile thanks to back, sides and top of beautiful Hawaiian koa. A solid top yields a punchy midrange response with clear trebles and a woody, focused character that will grow even warmer over time. The compact body shape and narrower 1-11/16-inch nut width make for a remarkably accommodating, relaxed feel, perfect for everything from flatpicking and strumming to fingerstyle arrangements. Aesthetic refinements include a full-body gloss finish and gold hardware. This model includes ES2 electronics for clear, balanced plugged-in tone and a hardshell case for storage and transportation.

The pinnacle of Taylor's rosewood/spruce offerings is the 914ce, a Grand Auditorium acoustic-electric whose sonic complexity and richness are matched by its beautiful presentation and detailing. All-solid rosewood back and sides with a Sitka spruce top serve up a stunning balance of warmth and clarity, featuring low-end presence, chime-like trebles and a slightly scooped midrange that opens up space for vocals and other instruments. V-Class bracing helps push out more volume and sustain, and the built-in ebony armrest offers a more comfortable feel for your strumming/picking arm. Refined appointments include ebony binding, an Ascension inlay scheme in paua and pearl, and a paua rosette. It ships with ES2 electronics and a hardshell case.

The GS Mini-e Koa brings the vibrant sound and organic beauty of Hawaiian koa to Taylor's ultra-popular reduced-scale acoustic guitar. The GS Mini's compact proportions make it a great choice for players who take their music on the road, and with a solid koa top, this model serves up a rich, bold sound that punches well above its weight for a smaller guitar. The built-in ES-B pickup offers clear, natural amplified tone and includes a digital tuner with an easy-to-read LED display. The GS Mini-e Koa ships with a structured gig bag.

The all-new 724ce launches a new era for the Taylor 700 Series, introducing Select-grade Hawaiian koa to this popular family of acoustic guitars. This Grand Auditorium boasts back, sides and top of solid Hawaiian koa selected for its visual beauty as well as its punchy, lively musical response. You’ll hear a bold attack with an energetic tone profile that yields crisp trebles, a rich midrange and a low end that grows in over time. The super-thin matte finish makes for a raw feel and aesthetic that’s complemented by mother-of-pearl Fountain inlays, rosewood binding, a paua shell rosette and a dark-stained maple pickguard. It includes the ES2 acoustic pickup and a deluxe hardshell guitar case for storage and protection.

This cutaway 12-string Grand Concert is in excellent condition and packs plenty of mahogany’s signature midrange warmth and focus into a lap-friendly body size. The short-scale (24-7/8-inch) neck helps with fretting and bending strings, making this a fun option for blues and other roots music genres. A Venetian cutaway invites you up the guitar neck, while Taylor’s plug-and-play ES2 acoustic electronics relay the guitar’s natural sonic nuances in an amplified setting. This 522ce comes with a deluxe hard shell case.

A versatile, do-everything guitar is an essential piece of any player's toolkit, and the 214ce-K fits the bill with its solid top and robust tone. Made with a solid Sitka spruce top and layered Hawaiian koa back and sides, this Grand Auditorium serves up rich projection and volume with balance and clarity, making for a highly adaptable tone that can cover a lot of musical territory. Players will appreciate the comfortable, accommodating feel of the Taylor Neck, and the Venetian cutaway makes it easy to access the highest frets. Visually, the layered koa back and sides add an organic visual flair. This model ships with ES2 electronics and a padded gig bag for safe transportation.

Taylor's distinctive 200 Series Deluxe category is loaded with high-end performance appeal. The Grand Auditorium 214ce-K DLX features beautiful layered koa back and sides, a solid Sitka spruce top, a full-gloss body, white binding, Small Diamond fretboard inlays, Venetian cutaway, Taylor Expression System 2 electronics, and a Taylor standard hardshell case.